Affichage des articles dont le libellé est GlancingContact. Afficher tous les articles
Affichage des articles dont le libellé est GlancingContact. Afficher tous les articles

samedi, septembre 05, 2009

Souvenir 03: The Welcome Home (with Seuil)

OK, so I'm writing this more than two months after the event itself, but I just had to document one thread of events from the party that I thought was really interesting:

At the party itself, sometime around 2 or 3 a.m., a girl dancing near me approaches and asks, “Hey, are you Luis?” When I say yes, she seems really thrilled and says, “It’s so good to finally meet you! I’m really good friends with O [a friend from France that lives in Chicago now and was co-organizing tonight’s event] and I’ve heard so much about you. I’m Lola.” She’s originally from Poland and I just returned from a year in France and Germany, so we talk a bit about the differences between North America and Europe and the odd situation one can develop of feeling at home in one place while longing for another place. We cross paths occasionally throughout the rest of the party and check in with each other, saying things like “How’re you feeling?” and lightly grasping each other’s shoulders.

The afterparty at a friend’s warehouse loft starts at about 7 a.m. and runs until some ungodly hour that evening (9 p.m., I think). I have a great time and hang out with friends, but eventually I tire and need to get home. I’m still marginally jet-lagged from my return from France, and I’ve spent all week unpacking things and running errands. It’s nearly 2 p.m., I haven’t slept all night/morning, and I was beginning to run out of energy. I make the rounds of the room, saying goodbye to everyone.

As I’m saying goodbye to O., she sees Lola nearby and asks us both, “Do you know each other?”

Lola says, “Of course! We’re best friends.”

Her arm comes up around my shoulder, and my arm winds around her waist. While still facing O., as if we were performing for her, we turn to each other, press our torsos into a half-hug, and reach out with our other arms to rub each others shoulders affectionately. I turn to give her a peck on the check and she turns her head toward me and we end up exchanging a brief peck on the lips.

We had just met for the first time in our lives a few hours ago, and we had hardly said anything to each other after our brief conversation at the party. Nonetheless, something about our encounter made is possible for Lola to claim that we were “best friends,” for me to agree and engage smoothly with her in these gestures of intimacy. It was casual and undramatic, as if we were making observations about the weather rather than claiming a deep, 12-hour-old friendship.

O. smiles with an expression that could be indulgent or bemused or merely pleased, and she says, “Of course.”

(By the way, Seuil’s set, both at the party and the afterparty, kicked major ass.)

dimanche, mai 31, 2009

Peruvian Food (and Richie Hawtin, Magda, Gaiser, Barem)

OK, so this is the second time in two weeks that I’m guiltily playing catch-up. As always, I have an excuse. This time, it was a series of things: first, I spent nearly two days just writing up the previous post, where I summarized 3 weeks of activity; second, I managed to give myself some sort of food poisoning from chicken broth that had spent too much time out of the fridge on a rather hot day; third, I spent most of Friday, Saturday and Sunday preparing for the second French installment of my Peruvian food orgy party.

So that was the last few days, and here’s what went down Sunday night:

Peruvian Food Orgy, Paris v. 2.0

I had been very, very disciplined in getting as much of the cooking done as possible the previous day, so the only things left for me today were the dishes that had to be made fresh the day of the meal. I had realized a while ago that arroz chaufa (the Peruvian version of Cantonese fried rice) always tastes better the next day anyway, so I had prepared it yesterday. The preparation of this dish is probably what takes most of my time when I usually throw this party, so my evening was much easier when all I had to do was slide in the rice in a warm oven for a little while.

Anyway, I had taken care of everything but the fried yucca (cassava, manioc) by the time the first guests arrived. Amusingly, all of my friends that I knew from the University of Chicago (many of them Americans, but some also French) arrived on time at 20h00 or a little while afterwards. My techno-related friends started arriving at 21h30 and kept arriving until about 23h00. Standard clubber timing!

Richie Hawtin, Magda, Gaiser, and Barem @ We Love Sonique @ La Grande Halle de la Villette

At about midnight, guests started leaving my place. The original plan was for all of us to head over to La Villette as a group, but a bunch of them got impatient and couldn’t wait until I was done putting away the leftovers and doing some preliminary cleaning. Thankfully, about six of my friends hung back and waited for me.

We made it to the party without incident, catching one of the last trains. There was apparently a Johnny Hallyday concert just finishing up, so there were some odd moments on the train as young clubbers were packed in with aging (mostly working class) baby-boomers and their progeny.

When we got to the Parc de la Villette, I split from the group for a moment to get some cash while the rest of them got in line. As I was heading over to the Halle (which is a massive 19th-century glass-and-steel industrial-era building), I noticed a pair of young-ish girls laughing and making their way towards the lineup. One of them stopped to fix her shoes—which is a difficult task when you’re wearing stilettos and a mini-skirt—when I passed them by. A second later, I heard her voice in my ear:

“Hey.”

“Um, hey.”

“Yeah, uh, it was those earrings of yours that drew my attention.”

“Oh really?”

“Yeah.”

“Cool.”

“How’s it going?”

“Uh, great, thanks.”

I was more than a bit confused at this point, since it is almost a hard-and-fast rule in France that women never make the first move. Since I doubted that she was scorchingly hot for me, I was wondering if she was after something or just being exceptionally, almost inappropriately gregarious.

“So, are you sober tonight?”

Oh, I see where this is going.

“Yeah, I’m sober, and I don’t really have any connections for anything, either.”

“Oh.”

At that moment, my phone rang and the woman was relieved of the task of extracting herself gracefully from the conversation. I would see her and her friend a few minutes later, having jumped into line next to two men that seemed to be holding their attention.

The phone call was from one of my friends, trying to explain to me where they were standing. After a few moments of confusion, I discovered them standing right at the point where the line passed behind a barricade. One of the girls in our group had apparently had the balls to cut into the line, and then the rest of them had just “merged” behind her. I wasn’t particularly proud of the stunt, but as I glanced back at a lineup that stretched nearly to the end of a building that is easily three blocks long, I decided I could live with it. One other guy from our group, however, was pretty uncomfortable with it, and the whole thing was complicated by the fact that he had seen some other friends of his further back in the line. As we passed behind the barricade, this friend hovered fretfully on the other side of the barrier, unwilling to jump in the line but also reluctant to leave us for the back of the line. I don’t know if it was the length of the line or the fact that everyone in front and behind us was letting people cut into the line, but he eventually relented and hopped over the post. Ironically, we got in before some of the people that left the party before us.

In addition to the massive amounts of line-jumping, there was a rather unpleasant trend of pushing, which just seemed to get worse as we got closer to the door. An interesting effect of these sorts of crowded situations is that, if you turn around to yell at the person pushing you from behind, you always find that they’re being pushed, too. It’s like the pushing isn’t coming from anyone in particular, but just building up as a side-effect of having so many bodies pressed into a tight space.

The pushing and the tight spaces seemed to push a young guy near me over the edge, as he started shoving around himself indiscriminately and violently, cursing up a storm and seeming to be looking for a fight with anybody that talked back him. He eventually cooled down, (not) coincidentally at the precise moment when some security guards arrived to see what the fuss was about.

0h00-1h30: Barem

We finally got in, checked our stuff, and headed toward the main room just as Barem finished his set, so alas I have nothing much to say about his set.

1h30-2h30: Gaiser live

Gaiser put in a good, solid set, although it was nothing revelatory. It had a certain punchy sound that I associate with the M_nus record label (the one that all of the artists tonight are on), with a combination of very dry bass beats, short bleepy synth patterns in the middle registers, and very sparse use of sweeps and washes.

We gathered on one of the raised balconies on the side of the hall to get some drinks and gather together as the rest of the crew arrived. Once we were all assembled, we headed down to the main floor to claim some space on the dancefloor. The crowd was already numerous and densely packed, so our rather large group got squeezed and separated, and we quickly lost each other. I was separated from the main group with another two people, and we spent a good 15 minutes trying to find the rest of our clan in a crowd of easily 2 000 people. We eventually did all find each other, near the back of the main room.

After finding everyone, several people suggested going out for a smoke, and I followed them to get some fresh air (I know, the irony). They were allowing people to leave the building to smoke on the side opposite the entrance, but you needed to have a bracelet to get back inside, which they only gave you right on the way out. If you hadn’t noticed the people giving out bracelets and left without one, you were stuck outside. One of my friends managed to do that, but thankfully we were able to get him back in by accompanying him to the door and attesting that he was with us.

2h30-4h30: Richie Hawtin

Richie Hawtin had just started his set as we were heading back into the building, and an excellent set it was. The sound was streamlined and focused, with a texture that was generally robust but never too complicated. In other words, it was minimalistic in its structure, but not in its scale. He still had his moments of experimental oddness, but they were rather few. In fact, one of my friends complained that the whole set lacked an overarching contour or structure, which I think I agree with. There wasn’t the sort of consistent departure-and-return form that he used to such great effect when I saw him at Nouveau Casino back in the Fall of 2006. In addition to the great musical set, the people taking care of visuals put on an amazing set of projections to go with his set ; they mostly involved simple geometrical forms in white on a black background, moving and rotating in various configurations. As the set went on, the visuals introduced color and representative figures; there was a real emphasis on arcs, circles, eyes (especially the iris), and spheres.

At around 3h00, two other friends arrived, who were not usually into the techno scene but had been at the earlier dinner party. Apparently, they had managed to talk their way into getting two of the last 10 tickets available at the door. Yay! And they also managed to find us in a crowd of thousands, which was even more impressive.

4h30-6h00: Magda

I liked this set less, although I’ve come to the realization that Magda’s style overlaps a lot with my own musical preferences, but at the same time rarely seems to work for me. I feel as if I should like her stuff a lot, but in the end I’m often rather lukewarm about it. The set started off at a slower pace and felt somewhat sluggish, and it meandered stylistically through electro, neo-acid-house, and even Sterolab-like dissonant atonal stuff, before finally landing in some solid, forward-driving techno. By about the mid-point of the set, I was back into it and enjoying myself.

At some point, a guy dancing energetically next to me noticed me at a point when Magda had dropped something exciting into the mix and I was dancing with renewed enthusiasm. He turned toward me with a long, drawn-out “Ouais!” (“Yeah!”), and then we proceeded through a complex, rapid, and improvised pas-de-deux of momentary togetherness. First we exchanged smiles and pumped our fists in the air towards the DJ. Then, he approached me and we danced “with” each other in the sense that we danced closely side-by-side and adapted our dancing to each other in a way that was sometimes mimetic and sometimes contrapuntal.

A friend of mine approached and said, “Oh, do you two already know each other?” (Clearly, my fellow dancer was also an acquaintance or friend of my friend.) This guy throws his arm over my shoulder and says, “Well, we do now!” And then we keep dancing together, his arm over my shoulders and mine around his waist, for a few minutes before drifting apart. I never really talked to him or got his name or anything, but for that moment we knew each other in some way, as if that moment of glancing contact was enough for some sort of relationship to emerge. Or maybe it was that we were referencing some timeless relationship, acting as if we were just continuing an already-established relationshp. It was interesting, too, that the first moment of substantial touch (arm over shoulders) happened just as this guy was claiming that we now knew each other. There’s something interesting in how temporality is collapsed and twisted in instances like these; it’s as if we don’t have time to begin and end a relationship when we’re colliding into each other on the dancefloor, and so we all improvise—relationality without relation, friendship without familiarity.

By 5h00, one of my friends ran out of energy and headed home, while the rest of us stuck it out until 6h00. At first, I left with a friend who had left his bags at my place, but then as we waited for the subway, another 6 of my friends showed up. Apparently, one of them went to the cloakroom to get something from her coat, and then the bouncers told her that the party was closing and she couldn’t get back into the main room. So she angrily had to call her boyfriend and get him to collect the remaining crew of friends to leave and join her.

The subway ride home felt like ages, but eventually I returned to my place with the friend who had left his stuff here. We ended up hanging out and chatting until about 8h00, when he decided to head back to his friends’ place (where he was staying) and I decided I needed at least a bit of sleep. I had to be at work by 12h00.

dimanche, avril 12, 2009

Sunday at Club der Visionaere

When I got home from Berghain, it was about 14h00 or so, and I had plans to meet up with a friend from the Chicago scene (let’s call her Ellen, for ease of reading), so I got to bed and tried to get a few hours of sleep. At around 18h00 or so, I got up to take a shower and found a text message from Ellen, saying that she and a friend were at Bar25 already.

So I took a quick shower to make my body forget what I had done to it, put on a fresh set of clothes, and headed off to Bar25. The line at the door wasn’t very long, which at first felt like a relief, but the line was barely moving at all. This was partially because it was Sunday and, since the bar is open all weekend nonstop, anybody with a stamp from earlier in the weekend has the right to jump the line and enter. So there were lots of people bypassing the line and holding things up, but also the doorpeople were constantly concerned with exceeding capacity (like anybody checks in Berlin).

Anyway, both of the women running the door were clearly cranked up on speed or coke, and thus making little sense. They were cracking jokes, then arbitrarily picking people out of the line and sending them in, sending other people away, and leaving others to just wait and wait in line. At some point, they decided to start asking people that were leaving if the were planning to come back. If they said they were leaving definitively, then the doorperson would count the number of people in the departing group and try to find a group of the same size in the line. Since people were always leaving in groups and I was all alone in the lineup, I ended up spending nearly 30 minutes at the front of the line, waiting for them to let me in. Of course, the doorpeople here are famously fickle, so I couldn’t risk arguing with them.

Eventually, after calling me several times to see what the hell was going on, Ellen and her friend came out and we hopped into a cab toward Club der Visionäre.

When we got there, Matthew Styles was spinning, and the rumor on the dancefloor was that Ricardo Villalobos had arrived on his boat (which was indeed moored at the dock) and he might come spin later that night. How exciting! Villalobos is known for magically appearing at Berlin establishments (especially Club der Visionäre) late on Sunday for one last DJ set before the end of the weekend.

Anyway, Styles was spinning relatively minimal house (but with more frequent vocals) and a bit of techno, which Ellen and her friend preferred to what was playing at Bar25 (and from what I could hear while in the lineup, me too). It was a bit more upbeat and energetic, too.

Shonky, a Parisian DJ now moved to Berlin, is in the corner near Matthew Styles, chatting with another Frenchy guy in a black turtleneck (seriously). After a few minutes, Ellen and her friend and I end up moving near that corner to get a bit more space, and Ellen chats up the Frenchy dude after Shonky leaves (go Ellen!). It turns out that this guy is also a DJ, and that he would be filling in for Mr. Styles when he needed a break from his all-night DJ set to get a drink.

I never got the Frenchy guy’s name, but he put down this amazing track that just got all of us FREAKING OUT, and it turns out that it was that recent release from Masomenos called “Les Trois Petits Cochons” (The Three Little Pigs) [see previous link for sample]. Sometime this coming week, I’ll have to make a post on what Masomenos is up to these days. As Fantômette had described it a week ago, they’re something of a breath of fresh air to the minimal scene.

Anyway, by about 1h00 I realize that I might miss the last train to Florian’s place and that I had a train to catch, so I said goodbye and headed out in a hurry. I obviously had managed to obtain a contact high from all of the pot being smoked around me, because I caught myself spending 10 minutes closely inspecting an U-Bahn system map in the Märkisches Museum station. What was so interesting?!

samedi, avril 11, 2009

Snax Club, Berghain, Picnics and Fisting

Yes, all of this and more in today's post!

Having gotten home at the relatively early hour of 8h00 in the morning, I slept until about 13h00, when it was time to start getting ready for the day ahead of me. Florian and I were going to a picnic to celebrate the birthday of a friend of his, and then I was supposed to meet Bob, Donna and Janine at another Frenchy friend’s place for crêpes, and then off to the clubs for a night/morning/day of partying.

Florian and I had been given the task of making potato salad, and of course we were determined to make it the best potato salad ever. We headed over to Lidl to get some supplies, and then went back to his place to get to work. I made some mayo from scratch, replacing the vinegar with the juice of a lime and adding quite a bit of Dijon mustard. In addition to a finely diced onion, and some yogurt, we also threw in Bärlauch (leaves of Bear’s Garlic or wild garlic), which is a leafy herb that looks like basil but smells and tastes like garlic. By the end of it all, we had some very tasty kartoffelsalat.

By about 17h00 we were heading over to the birthday picnic, which was being held in a park near Zionskirche in Mitte. The birthday girl turned out to be Canadian (from Ottawa), as did her boyfriend (also Ottawa). There were four other friends in attendance, including a couple of Anglophones and two Germans (and some kids, of course).

The spread for the party was great and pretty vast, including piles of sparkling wine, meatballs made by someone’s German grandma, a carrot cake that could bring you to tears (with an icing that tasted like cookie dough with pudding consistency), hummus, tabouleh, and several other savories. At one point, I managed to put my plate on the bench, stand up to help someone with something, and then sit right back down on my plate, tomato sauce and all. I had the pleasure of asking Florian to help me wipe my butt, which prompted jokes about turning into an incontinent old couple. The picnic ended up running a lot longer than I had expected, eventually passing over to candlelight drinking in the park and then drinks at a Frenchy bar nearby (I think it was called “Visite ma Tante” or something).

By about 22h30, I made my move, hoping that I could still make it to my friend’s place in time to join them for crêpes. I was actually too full of carrot cake to eat anything, but I still wanted to hang out with them before heading out.

I had to run by Florian’s place first to change clothes and drop off some stuff, so that made me even more late for the crêpe party. I got to our friend’s place in Neukölln just before midnight, too late to join in the crêpes (not that I was hungry anymore), but in time to get some drinks in me and chat with the Frenchy Krew. Bob & Donna were planning to go home and nap and then hit Panorama Bar later, while Janine was going to go to Watergate to check out Steve Bug. Our host was going to stay in tonight (after having been at an outdoor party all day), but he invited us to join him at another outdoor event Sunday afternoon.

My plan was to spend the night at Berghain, starting with the Snax Club event and then moving up to PanoramaBar to meet my friends when they got there. Snax Club only happens once a year and none of us had ever been to it (indeed, 50% of our group couldn’t go, since it’s “men only”), so we spent a lot of time extrapolating about what it might be like. Here’s everything that we could gather from descriptions and information on the club’s website:

  • It happens once a year on Easter weekend
  • The doors between the PanoramaBar and Berghain rooms are shut and the ones between Berghain and Lab.Oratory are opened, essentially shrinking the space reserved for “normal” / “straight” clubbing to PanoramaBar, while expanding the sexclub portion of the building to two rooms.
  • It’s men-only, and is billed as a “pervy party,” which seems to imply that the sexual play will not be limited to a couple of darkrooms.
  • Lab.Oratory is reputed to be the most hard-core (gay) fetish sexclub in Berlin, with every night being devoted to some form of kink, including fisting, piss, scat, s/m, and numerous other fixations.

So with that, we imagined a nightclub space with lots of groping and grabbing on the dancefloor, lots of shirtless and nearly-nude guys, the stench of sweat and poppers, and a fair bit of fucking on the sidelines. Of course, since this is Berlin, this was all a vast underestimation of what was really going to take place there.

We hopped into a cab at about 1h30 to get our nights started, with plans to drop off Janine at Watergate, then me at Berghain, and then Bob&Donna at their hotel nearby. When we stopped at Watergate, Janine saw that the bouncer was one that she knew and so she managed to negotiation a line-pass for all of us. I was still determined to check out Snax Club, but Bob & Donna jumped out of the cab to follow Janine into the club.

Round One: Snax Club @ Berghain/Lab.Oratory

So there was no small amount of confusion about which lineup to take to get into the club tonight. Normally, there’s just one easily-visible lineup that gets you into Berghain/PanoramaBar, and then there’s a side entrance that the clientele of Lab.Oratory use, which never has much of a visible lineup. Add to this the fact that Lab.Oratory usually only has its doors open for a couple of hours between 22h and 24h (to encourage everyone to show up at the same time and get it on), and you can see why most Berghain-loving clubbers are used to just showing up and standing in the first line they see.

So tonight was confusing, because there was a MASSIVE lineup heading towards one door, and then at the same time you have a much shorter line heading towards the door that leads up the staircase to PanoramaBar. When I first got into the Snax Club line, I turned to a girl standing behind me and said, “Am I in the right line, here? I’m pretty sure this is for Snax Club.” It was her first night going to Berghain, so she was totally lost and about to spend an hour waiting to get into the wrong party. Thankfully, a few meters ahead, there was a bouncer checking to make sure that people were in the right line. He said, in a thick German accent, “Hier ist a fetisch partei, dere ist normaler partei.”

I should have been paying closer attention to what the bouncer was saying.

While waiting in line, I befriended a short little Spaniard from Valencia and a couple of statuesque Sicilians (one of which was pretty damn hot) among whom we all chatted in a mongrel mix of Spanish and Italian. One of the Sicilians had lived in Argentina for a while, so conversation quickly turned to “why the rest of the Hispanophone world can’t stand Argentines,” which got pretty boring pretty quickly.

So when we got to the front of the line, a guy in front of us had a brief exchange with the bouncer, and then he dropped his pants to show that he was wearing a jockstrap underneath. I wasn’t paying close attention to the conversation, but that started to set off some red lights in my head. And then, the Sicilian couple in front of me ran into some trouble:

Bouncer: What are you going to wear inside?

Sicilian Dude: What do you mean?

B: This is a fetish party. You can’t go in looking like that. Do you have a jockstrap or something?

SD: No, but we can take off our shirts or something…

B: Where’s the fetish in that? No. Go home and change into something fetish and you won’t have to wait in line; I’ll let you right in. But you’re not getting in like that.

Well fuck. I’m certainly not dressed in anything approaching fetish gear. I let the little Spaniard next to me go ahead of me and keep the bouncer busy while I pondered my options. I had to think fast, as the Spaniard’s military-style cargo pants were apparently getting him in without much comment. I suppose I could just go to PanoramaBar and forget Snax Club, but I should at least try to negotiate with the bouncer here, in the hopes that he might let me jump the Pano line if he turns me away. Also, this is the bouncer with the lip piercing that has let me jump the line twice before, so there’s a chance that he might be lenient with me. Nonetheless, offering to take off my shirt wasn’t likely to work, especially since he just sent away two guys who had offered the same thing. Clearly, I’m going to have to double-down on the nudity.

Me: I’ll go naked.

Bouncer: What?

LMGM: I don’t own any fetish gear, but I can strip naked. A lot of guys are going to do that, anyway.

B: Hm, well, totally naked? Seriously?

LMGM: Totally. I promise. I might keep my shoes on, mind you.

B: Um yeah, you’d best keep those shoes on. Alright, go in.

Phew. I wasn’t sure what I had gotten myself into, but I (correctly) assumed that the coat check wasn’t within the line of sight of the door, so the bouncer wasn’t likely to check on me to see that I was vollnakt. I asked the guy at the ticket booth whether I could use the same ticket to get into PanoramaBar later, and he said I would get half price. Not ideal, but fair, I suppose.

I checked my jacket and scarf, and also threw in my brightly-coloured t-shirt, leaving just my undershirt, which seemed more appropriate for the evening. Indeed, everyone else was in fetish gear, especially of the sort that was either made of a few straps of leather or had the ass cut out of it. Lots of piercings and tattoos and bare chests and jockstraps and facial hair and hey, is that guy actually fingering his partner in the coat-check line?

So that’s how the evening started. I actually found myself taking off my shirt within an hour or so and stuffing it into my shoulder bag. The vast majority of guys were at least shirtless (if not much more), so I felt a bit out of place with my titties covered. I’m not one for stripping, but I felt like I was completely clothed, compared to the folks around me.

So how to describe the scene at Snax Club? Well, to put it concisely, these folks don’t fuck around. They sure do fuck a lot (and lick, and suck, and fist, and many other things), but they sure don’t do it halfway.

To begin with, the Lab.Oratory floor, which usually serves as a sexclub on regular nights:

  • There was grabbing and groping and necking on the small-ish dancefloor in the center of the complex, with the occasional bit of oral sex and fingering at the edges of the crowd.
  • Take any one of the hallways leading out from the dance area to hit the darkrooms / orgy spaces, which are massive and labyrinthine.
  • To the right of the dancefloor is a hallway with a sort of sling-gallery; there are a alcoves with slings in them, each one filled with a guy taking one or two fists up his ass and/or cock. The air is pretty ripe with the smell of sweat and lube (but to the fistees’ credit, not a whiff of feces).
  • Further down the hallway is the famous bathtub. It stands there, alone in an alcove, a testament to the more raunchy practices of this sexclub. The bathtub serves as a place for piss and scat play, from what I understand. Tonight, there’s a guy in a full-body gimp suit lying in the tub, but nobody seems to be doing anything about it. I watch where I step and move on.
  • The hallway comes to an end and branches off to the left and the right. The right leads to a dead-end corner where some guys are standing around jerking off and looking at each other. The left branch leads to the massive orgy space behind the dancefloor proper.
  • In the large space behind the dancefloor, they’ve put in a “special theme playground,” which is made to look like a construction site. There’s a concession truck parked in the middle being used to sell drinks, and then there’s a sort of tent to the left that has been divided into various cubicles by PVC sheeting to create semi-private spaces. To the right is a labyrinth of netting and plastic sheeting, with a couple of construction-site office trucks parked in the corners and a large plastic kiddie-pool that is currently being used for piss play (at least, that’s what it smells like). Again, I watch out for puddles and push on.
  • There are some toilets in one corner of the building (for those who prefer not to do it on someone’s slave).
  • Near the entrance, there’s a nondescript stairway that leads up to a gallery space where a couple of “cages” have been set up, so that guys can engage in prison-sex fantasies or maybe show off while assuring that enthusiastic fans won’t grab at them.

Now, on to Berghain, which is not normally a sexclub, although the gay crowd there still tends to be pretty hot & sleazy on regular nights:

  • The dancefloor was unchanged, and the only major difference was that there was much more nudity than usual on the dancefloor.
  • They hung sheets in the seating area near the bar (where the swing is) and along the catwalk that goes across the back of the room, creating a series of darkly-lit corners and half-hidden spaces for sexual play. There certainly is some sex going on, but it’s not quite as hard-core as downstairs.
  • Every once in a while, somebody gets head or a rim-job while ordering his drink
  • The darkrooms are densely packed and full of fucking, especially the darkroom area on the main floor. I tried to walk through and get a good look, but I couldn’t even get through the press of bodies.
  • Thanks to the fact that you could have sex pretty much anywhere, the bathrooms were uncharacteristically quiet and free of sex-related detritus.

I kept on moving around from one floor to another, and too often to really keep track of DJ sets, but Ben Klock put in a good (if somewhat overly violent) set in Berghain, followed by an excellent set by nd_baumecker. Boris was spinning for a while in Lab.O, which was pretty unexciting, but I’ll admit that I’m not a huge fan of his work.

I did manage to make the acquaintance of a nice Italian chap, who managed to keep me entertained (along with a dude from Australia) for a substantial portion of the evening. We traded phone numbers and email addresses, and I now have a standing invitation to visit London, England. Yay, intimacy! It was pretty hilarious, explaining the topic of my dissertation to this guy in this context.

Round Two: Panorama Bar

9h00-12h00: Daniel Stefanik

By about 9h00, it was time to head over to Panorama Bar. My friends were planning to get there around then, and I was getting a bit tired of all of the mansex. Don’t get me wrong; I’m all for the hedonist fun, but I was having a hankering for being in a place where I could sit down or lean on something without first checking that I wasn’t about to coat myself in someone else’s genetic material. Call me a prude.

Anyway, as promised, I was able to get into Pano for half price, which came to 5€. And considering the excellent set Daniel Stefanik put on, it was the best 5€ I spent all weekend. His set was pretty much exactly what I like about the PanoramaBar sound, combining a very warm and bright minimal house sound with tooth-rattling bass kicks and (rhythmically, melodically) mobile basslines. At some point in the set, he put down a white label record that sounded awesome. It was in the “tropical minimal” vein that has been emerging in this last year, including almost purely acoustic Afro-Caribbean percussion for the drum patterns and a sample of group singing (again, sounding like a field recording from somewhere in Central Africa) deep and low in the mix, fading in and out like a sonic wash, rather than dominating the track like a typical vocal sample. It’s hard to describe the track in detail, but something about the ensemble of elements struck me as fucking fantastic.

Alas, white labels are thus called because they don’t have identifying labels on them. They are usually test presses of soon-to-be-released tracks that are passed to influential DJs to “test” on the dancefloor before the final mix is pressed and shipped. I tried to get a hold of the guy when his track ended to ask him what that white label was, but he quickly disappeared into the crowd.

Bob & Donna showed up shortly after I did, but alas just after I had heard that excellent white label—so I was left struggling to describe the track to them.

12h00-13h00: Boris

Ya know, this set was better than usual. Yes, this is a prime example of damning with faint praise, but my expectations have become pretty low with this guy, so this was a pleasant surprise. He still managed to have two near-trainwrecks within the first few minutes of the set, but at least his track selection and sequencing felt a bit more coherent. Usually, when I see Boris spin here, he throws a whole jumble of different styles together without much to connect them. Some DJs can pull of very eclectic sets like that, but it takes some serious skills, especially in ordering the tracks in a way that will create something more than a “parade of tracks I like.”

Regardless of my own reservations, the homos of Berlin seem to luuuurrrrve Boris, and turn out in droves for his set. I dunno, maybe Berlin gay guys—however hardcore fetish-y and hypermasculine—still enjoy a bit of “handbag house” from time to time. Either way, Boris’s appearance up here in PanoramaBar prompted a mass migration of guys from Snax Club (which I think was closing up at this point). Not all of these “migrants” changed their outfits before coming upstairs, so there was some amusement in the crowd as a couple hundred men showed up in leather, plastic, and rubber with their asses hanging out. Of course, the sort of hipsters that frequent PanoramaBar/Berghain are already inured to the sleazier aspects of gay nightlife (and value these sorts of things as an index of “open-mindedness”), so the amusement was mostly limited to giggling, some pointing, raised eyebrows, and the occasional curious question (“How do you even put that thing on?”).

Nonetheless, there were certain moments that tested the limits of the regular PanoramaBar partygoers. For example, I was in the smoking area with Bob when this skinny, near-naked guy appeared. I remembered seeing him around in Snax Club, because he was walking around naked and his gargantuan saline-injected balls were hard to miss. Yes, dear reader surprised at your own vanilla-ness, there exists a fetish around injecting saline into your balls and/or cock to make it look like you have a very particular and acute case of elephantitis. If you need to, take a break to wash out your eyes, cuddle a furry animal, and maybe listen to 70s music un-ironically. Feel better? OK, let’s continue.

So the fact of this guy’s massively-inflated balls was pretty visible at this point, because he was only wearing a well-worn jockstrap, the elasticity of which had given way, thus giving the impression that he was smuggling 1kg worth of plums under there. Two other guys that were just hanging out and smoking noticed this, and one of them pointed to his bulge with a smirk on his face and said, “What the fuck’s going on down there?” Obligingly, Mr. Balloon-Balls pulled down his jockstrap.

Both guys were clearly surprised, but that affective jolt went in different directions for each of them. One gave a shocked guffaw, as if he had just witnessed some particularly absurd, Monty-Pythonesque slapstick, while the other one threw his hands in the air and walked out of the room with his eyes wide, as if to say, “Woah. I give up. Let me off this ride.”

A minute or so later, Mr. Balloon-Balls was joined by a guy dressed in a black leather outfit that covered his entire body except for his ass and cock (and balls), which offered some rather impressive piercings. Mr. Balloon-Balls decided to greet him with a blow job, and so he bent over, with his asshole winking at the rest of us, and went to work. A third guy, who just happened to be passing by, took the initiative of spanking him roughly.

Sitting on stools near me and Bob were two girls, smoking, dressed in their Berlin-techno-hipster finest. Oversized 70s secretary glasses, ruff-necked blouses tucked deep into high-waisted skirts, and second-hand pumps. The looked at each other with this searching look, as if palpitating the other’s face to find some hint of what the other would do about this. Should they be shocked or blasé? In the end, they settled for a smirk and raised eyebrows, in a sort of understated “Well, isn’t that something.”

A bit later, Donna finds me on the dancefloor and says, “Hey, there’s a woman walking around in just a g-string and a t-shirt!” A few minutes later, as I’m walking out of the bathroom, I see the woman she was talking about. A quick look at her g-string and her adam’s apple made it clear that any gender classification would be more complicated than just “woman.”

Also, as I was coming out of the bathroom, a tall guy that I recognized from many previous Berlin nights stopped me, saying:

Random Dude: Hey, I bet you like house music.

LMGM: Yep! I sure do.

RD: In fact, I think you love house music.

LMGM: Lemme think about it…yes. Yes I do.

RD: You see, man, I’ve lived here in Berlin for many years and soon I have to move far away and so I am very high tonight and house music has always been so important for me and when I come to Berghain it is so nice to see people who love the music and don’t just do drugs but drugs are sometimes nice and everybody likes to have fun but it makes me happy to see people like you who are here for the music.

LMGM: Yes, totally.

I’ll admit that I didn’t totally follow what he was talking about, but it seemed that all he wanted from me was a sort of approving, reflective presence. I just needed to say yes, smile, put my hand on his back when he draped his arm around my shoulder, look him in the eyes, listen, and nod. In other words, all of the gestures of intimacy. I don’t think it was a fake intimacy, either; even if I wasn’t in the same affective place as he was, there was something about the simple fact of being in one another’s presence and the vagueness of anonymous contact that allows for warmth to pass where understanding and knowledge sometimes can’t.

13h00-??: nd_baumecker

I had only heard a few tracks from this guy (which were great), when my feet told me in no uncertain terms that I needed to go home. Fine. I had already seen nd_baumecker earlier in SnaxClub. I said goodbye to Bob & Donna and started making my way to the exit.

While picking up my jacked from the coat check, there were three guys dressed in fetish gear engaging in blow-jobs and rimming just across the room. Again, nobody was showing any shock or outrage, but there were a lot of smirks and raised eyebrows.

vendredi, mars 27, 2009

Fantômette's B-day (part 2) at L'Hotel des Sens

After sleeping in a bit in preparation for a big night out, I headed to the market to buy a roast chicken (which has now become my fortnightly treat to myself) and then proceeded to feel very, very full. I barely ate anything else for the rest of the day.

I took care of some administrative stuff and also did some work on the revision of chapter two, but I also wasted a large part of my day trying to get my internet connection working again. It seemed to be a server-side issue, so all of my attempts were really for naught. The thing just came back online spontaneously.

Later in the evening, I headed over to a friend’s place near Châtelet, where they were hosting a little apéro in preparation for our night out. I met a few new people, got to talk to a few other friends, and had a surprisingly in-depth conversation with one friend about the music of Steve Reich.

I also had an interesting conversation with one friend about “party friends.” Arguing against the notion that “you don’t make real friends in nightclubs,” he told me about how he met his current close friends, all of whom he got to know at nightclubs and many of which were perfect strangers that he spontaneously engaged in conversation. I’m going to have to corner him for an interview one of these days…

So…… Hoooooo @ L’Hôtel des Sens

OK, I’ll admit that the name of the event doesn’t translate well into English, but you’ll have to trust me when I say that it was a big hit. This was apparently the last “regular” night at this location, which is returning to its usual function as a swinger’s club.

The evening itself was pretty much a non-stop series of intense conversations with friends and strangers (plus a fair bit of drinking), so I’m not going to recount everything. Nonetheless, here are the highlights.

I had a long conversation with a girl that I used to see in the techno scene back in 2006-07, but who was pretty absent from this scene this past year. I remembered her as being adorable, effusive, tactile, and talkative—all of which was still true. She was still really interested in my dissertation project, we talked about that a length, as well as more mundane topics like how much she hated her current job, the difficulties of relationships between people of different ages, and so on.

Right as we were finishing a conversation on tactility and touching norms in nightclubs, Julie Dragon appears in front of us. She was apparently going to do a burlesque / striptease / fire-eating act in a few minutes, so she was walking around the floor, throwing fake rose petals while wearing 3-inch stilettos and a bright read leather corset. My friend gave her a playful pinch on the butt, and Ms. Dragon did not like that one bit. She turned around, still smiling, and proceeded to rip my friend a new one for touching her. My friend apologized, saying, “Look, I thought you were a guy [i.e., drag queen], and they generally react differently to that sort of thing.”

That explanation didn’t go over well, either, but she (my friend) had a point. She had a set of assumptions about what sorts of touch were welcome, permitted, or at least tolerated, based on the nightclub context, the composition of the crowd, and the gender-expression of the person in front of her, while Julie Dragon had her own set of assumptions and expectations that were influenced by the fact that she saw this setting as her workplace. Both of them saw their expectations put into question in this interaction, although Julie Dragon had the institutional weight of the club (as an employee for the evening) on her side.

What was also interesting (and unfortunate) was how this totally deflated my friend. She was angry, hurt, embarrassed, confused, exasperated, several other things, but mostly there was a feeling of disappointment that the tenuous and vaguely-defined interpersonal links that hold a crowd together had evaporated so quickly.

A couple of hours later, I was dancing downstairs and this guy approaches me and says, “Hey, I know you! We’ve met before somewhere…” It took me a few minutes, and then I recognized him as the boy from Toulouse that I met at Batofar nearly six months ago (not the one I made out with, but the one that constantly appeared to be getting it on with his friend). I managed to remember his name, his occupation, and even where he was from, which seemed to impress him. I told him about how the night that we had met at Batofar had become an important ethnographic anecdote for my research, which he found pretty amusing.

As some random girl started rubbing up against him and he got nervous (he has a girlfriend at the moment), we talked about male-male tactility again. He pointed out that he and his male friends would get frisky with each other precisely because there wasn’t the (perceived) danger of cheating on your girlfriend, having an unwelcome advance turn into accusations of sexual aggression, or even have casual flirtation be mistaken for a promise of sex. “On se chauffe, et c’est tout” he said (“We get each other hot, and that’s it.”), claiming that these homosocial/erotic/sexual/whatever interactions allowed him to have fun and experience certain kinds of sensual pleasure while avoiding the risks associated with heterosexual courtship. Of course, there’s the risk of being mistaken for homosexual, having his tactility be read as desire (probably why this happens mostly between friends), or even letting the playful eroticism spill over into a more sincere homosexual encounter (Boys Gone Wild!™), but those were risks that somehow seemed affordable to him and other Parisian boys like him—which marks a pretty big difference with most American/Canadian guys I see at clubs.

By 5h30, I was tired and ready to head home, but every time I did, one of my friends physically dragged me onto the dancefloor and stuck a drink in my hand. I did eventually manage to escape their attentions and get mysef on a bike back home, but boy was I wrecked.

samedi, mars 21, 2009

Homo-something and Workshop Night @ Le Rex

Well, I don’t know how it happened, but I managed to get very, very behind on blogging. So here begins the blog-plosion as I try to get back on track.

I decided to head into downtown and work on my dissertation in a café on one of the islands, but I had the craziest time finding an empty space at one of the Vélib stations. In the end, I had to park the bike at the Institut du Monde Arabe and walk all the way over to Notre-Dame from there. Anyway, I sat down in this café just next to the cathedral, which my Dad and I had visited back when he was in town for Christmas. The place was pleasant enough and I managed to spend a good 2 hours without being bothered (mind you, I made a point of coming between the lunch and dinner hours), but my cappuccino cost me €6.20, so maybe next time I’ll have a coffee in my neighborhood and forgo the ambience. Besides, the place was packed with tourists.

Fast-forward to tonight: I was at Le Rex for a night featuring Berlin-based minimal DJs on the Workshop label, including Move D live (OK, but a bit flat), and Lowtec and Even Tuell doing a back-to-back set (spotty performance, especially with regards to mixing/beatmatching). So I’ve got two amusing stories from tonight, both involving guys, gayness and intimacy (seriously, am I just a magnet for these things?):

Shortly after a few friends joined me on the dancefloor at around 3h30, I notice two relatively cute guys making out near me. Although people will describe the Rex’s crowd as mixed (sexually), in truth it’s still majority-heterosexual, even if gay-friendly, so same-sex necking is still something of a rare sight. Anyway, they both started making significant eye contact with me (which is generally quite sexually-charged in France), and one of them started dancing close to me, making even more conspicuous eye contact, and even managing to adjust his dancing style so that his hand would brush against my crotch from time to time. “Neat!” I thought, “Cute guys are hitting on me!” Even if it came to nothing, it’s always nice to see that someone finds you desirable. But then, one of my friends tapped my shoulder to talk to me and the other guy had disappeared. A few minutes later, he was hitting on some other guy; then, another guy; then another. As it turned out, it was just this one guy who was throwing himself at every male who returned his gaze. So I have sort of mixed feelings about the whole episode: on the one hand, it’s not much of an ego stroke to be hit on by some desperate horndog with no apparent standards, but on the other hand it’s reassuring that this guy could make advances on everything with a penis at this generally-hetero club and not get into trouble.

Right, so speaking of this generally-hetero thing, maybe “vaguely hetero” is a better term. Consider my second anecdote:

It’s nearly the end of the night (5h30) and I head up to the bar to buy a final round of drinks for me and my friends. My bank card doesn’t seem to work at the bar, so I end up having to use my last bit of cash to buy the drinks. This, as it turns out, would be my saving grace. A guy appears at the bar next to me, looking a bit dandy-ish with a white shirt and a white scarf tied around his neck (indoors, at 5h30 in the morning).

He taps my shoulder and says, “Tu me trouves bogosse?” “Bogosse” can mean “pretty boy” in a pejorative sense, but it’s also used in French banlieusard jargon to mean “hottie.” Either way, he was asking if I found him good-looking.

He was a bit too precious for my tastes, but he was certainly a pretty boy, so I said, “Yeah, sure.”

“So, buy me a drink.”

“Um, what?”

“If you think I’m hot, why don’t you buy me a drink.”

“Yeah, well look; I just spent my last dime on drinks for my friends, so you’re outta luck.”

“But wait, I must turn you on at least on a technical basis.”

“Uh, OK, I’m game. What do you mean?”

“I’m a faux-mo [he actually uses this term in the original French conversation. –lmgm]. You see, I’m hetero, but maybe I’m convertible.”

“Oh, I see where this is going.”

“So maybe I just need a drink, you know. I’ve already got the mannerisms…” and at this he makes a stylized clawing motion with one hand, as if he were doing an impression of Eartha Kitt.

“Um, yeah, I’m sorry but my drinks are ready and I’ve got to find my friends. Happy hunting.”

So there you go. The amusing thing about this episode was that this guy was engaging in the kind of economic trade of veiled sexual promises that is the (negative) stereotype of heterosexual courtship; i.e., complaints about “golddigging” and manipulation. But what’s also interesting is that, while this heterosexual narrative depends on the supposition that women don’t “naturally” want sex with men and require gifts/drinks/etc to be enticed, this guy was playing on a similar supposition regarding straight men and gay sex.

lundi, mars 16, 2009

Weekend post-mortem, 1

Phew! Paper (or at least the draft required) is done. It was a pretty intense weekend of work, but I did manage to have a bit of fun as well. On Friday night, I rewarded a solid day of writing by going to the Akufen-Cabanne [LINK] back-to-back all-night-long mega-set at La Scène Bastille. It was actually a bit disappointing, although there were some high points to the set. What was memorable to the evening, however, was when a bouncer caught a girl trying to light up a joint on the dancefloor (not a good idea now that there’s no smoking in clubs). She was obviously already a big drunk/high, and her reaction to him grabbing her arm was to flail frantically, sending other people’s drinks crashing to the floor, and yell loudly, “Let me go! Let me go!!” What you didn’t hear unless you were standing closer to her was an additional phrase just as the bouncer finally secured both her arms: “I’ll suck you off.”

Really?? Does that work? And—to be ruthlessly pragmatic—if it might work, how likely is it now that you’ve started the negotiations in public?

The scene elicits a whole series of conflicting reactions in me. At first, incredulous laughter. It’s not like there’s no precedent for people trading sexual favours for other kinds of favours, but the business is usually conducted in the more indirect registers of flirting, innuendo, and knowing glances. At the same time, there’s something profoundly saddening about the fact that, as this woman saw the rest of her night evaporating before her, she reached for this as her next resort. But not her last resort. That’s what’s saddening: whatever her logic, she came to the conclusion that offering her mouth to the bouncer’s cock (and presumably his subsequent jizz) was the best of available options at that moment. And, like most bouncers in Paris, her interlocutor was black, and the intersection of racial sexual stereotypes and this (white) woman’s decision to offer sex as a bribe made the whole situation all the more fucked up.

So there ya go, my odd moment from the weekend. I’ve got another story from Sunday night, but I’ll save that for tomorrow’s post.

samedi, mars 07, 2009

The Two-Day, Four-Party Marathon

Daytime

Well, considering that I had gotten home at 10h00 this morning, you’ll forgive me if I got up at 16h00. That’s just six hours of sleep, so it’s not really “sleeping in,” per se. Anyway, the rest of the “daytime” portion of my day was unexceptional. I fixed myself some eggs and tea, took care of some correspondence, and then started to catch up on my blog posts. Three hours later, it was already time for me to make my way out for the beginning of the night…a night that would last until tomorrow night, I might add.

Apéros

My friend Janine (French gal living in Berlin) had invited me, Fantô + her crew, Bob & Donna + their Franco-Berliner friend and a few other people over to her place for an “apéro” (i.e., drinks and snacks) at around 21h00. But first, Fantômette had invited me to the apartment, where she was staying with her girlfriend and another friend of ours, for a few drinks there. So I headed over to this massive industrial Hof (warehouse) on Ritterstraße in Kreuzberg (near the Moritzplatz U-Bahn station, U-8) to find them. Apparently, some smart person had bought the whole top floor of the building on one side and turned it into a suite of studio apartments to be rented like hotel suites. It was kind of brilliant, really. It’s exactly what a tourist would want of Berlin: an über-modern apartment in a red-brick warehouse in a shabby-but-up-and-coming neighborhood.

Anyway, we hung out there for a while, had some drinks, retold stories of parties past and filled each other in on the details of the night before (we had parted ways at Golden Gate). By about 21h00, we started walking our way over to Janine’s place. It took us a bit of time to find the right street, but eventually we got there and met up with the rest of the crew. Bob & Donna were there along with their Franco-Berliner friend (let’s call him Foster), a German girl who was a close friends of Janine, two British guys that Janine knew, a woman from North Carolina that lives in Berlin now, and the girls whose birthday it was the last time I was in town and I hung out with Janine.

Janine’s “apéro” spread was actually close to a full dinner made of finger-foods, including piles of crackers, dips, olives cheeses and so on. After a while, she emerged with pieces of cheese and salmon-spinach quiches, and later she materialized with cake and ice cream. And all the time, of course, she was plying us with wine and/or liquor. I managed to restrain myself from overeating, since I’ve learned from experience that eating just before a big night out tends to weigh me down and sap my energy.

I had a great time hanging out and talking to the folks at the party, although I’ll admit that I ended up speaking almost exclusively with the two british guys and the American girl, since they were the only people I hadn’t met before. I can’t remember all of the conversation, but I do recall that I gave the most lucid summary of my dissertation project so far; now if only I could remember what I said…

12h30: The False Start

At around 12h30, we began moving. Janine’s German girlfriend was going to Arena club to see a friend, Foster was heading to bed to meet us later at Berghain, everyone else was going to check out the “Champagnerama” party going on at the old Kindl brewery, and I was going to meet a friend from the Chicago scene at Kinski’s (and then meeting up with the rest of the crew at the Kindl brewery).

I headed over to Kinski’s, which was only two blocks away from Janine’s place, but I didn’t see my friend. I gave her a call to see if she was still coming, but I didn’t get an answer. Kinski’s is a sort of art space / café / club / whatever, and it’s pretty small and the crowd seems to all know each other. So it was a bit awkward for me to walk into this small, socially-connected space, walk around and conspicuously look for someone who’s not there, and then leave. Anyway, I wrote off that part of the night and headed off to meet the rest of the crew.

Just as I’m getting to the U-Bahn station, I get a call from Donna saying that the lineup is 200m long and looks to be about 3 hours of wait. It’s fucking cold, so they decide to head to Maria am Ostbahnhof instead. Janine, meanwhile, decides to head home and sleep instead, with the promise of joining us later at Berghain. And so I hop on the U-Bahn and head towards our new destination.

1h30: Spreepiraten @ Maria am Ostbahnhof

After a rather long and cold walk from the Jannowitzbrücke U-Bahn station to the club, wait in line for about 20 minutes and then pay the excessive cover (12€) to get in. 12€ for Berghain? Sure. For Maria am Ostbahnhof? Well, it better be on par with Berghain…

OK, so the club wasn’t as magical as the Berghain/PanoramaBar complex, but it was still a pretty cool club. Before the emergence of OstGut (which would eventually become Berghain) and Watergate, Maria am Ostbahnhof was apparently the central spot in Berlin for techno connoisseurs. The music programming had gone in an odd direction by the time I got to Berlin this past summer, with mostly electro-rock events and b-list local DJs, so I was never really tempted to visit the place. So it was high time I check this place out.

The space itself is pretty nice, especially in the back room, which has a pattern of diagonal cubes stuck to the wall behind the DJ in a way that casts really lovely shadows but also absorbs some of the sound and prevents slap-echoes. All around the club, they made good use of light projections to give the interior a unified theme; the theme for tonight: black-and-white silhouettes of unmarked playing cards.

The sound system itself was pretty good, especially in the main room. From the side near the main bar, the sound was loud but not uncomfortable. From the center of the dancefloor, the sound was impressively strong but not overwhelming. In the second room, on the other hand, the treble tended to be a bit too shrill. Thank goodness for earplugs!

The crowd was pretty mixed, mostly a combination of the late-twenties/thirties crowd that you see at Berghain & Watergate along with a late-teen / early-twenties crowd that seemed more like “casual partygoers” than avid fans of a particular DJ or scene. Of course, I’m generalizing here; when I was 17 and raving in Ontario, I already had pretty specific tastes; but nonetheless I had the feeling that the younger folks in the crowd were there to party first and see a specific DJ second, while the older folks acted more like they were attending a concert of a particular artist. Interestingly enough, at Berghain the crowd is almost entirely late-twenties and older, and yet you can still play this same game of “why did you come here tonight?” with the crowd: some are there for a particular DJ, some are there because it’s Berghain and they couldn’t imagine going anywhere else, and some are there because they want to party and this is the place to do it with a great deal of intensity.

Anyway, I wasn’t there for very long, but I caught the opening set by Larsson, which was pretty solid, and the first half of Alexander Kowalski’s live set, which was pretty strong and made great use of melodic fragments to suture his live set together.

So by 3h30 Bob and Donna have headed off to sleep and get ready for Berghain later that morning, while Fantômette and her crew disappear at around the same time. Another friend of mine (a close friend of a roommate from last summer) was going out with her crew to that party at the Kindl brewery later in the morning and I was determined to finally see her (after several near-misses since last summer), so I stayed at Maria for a couple more hours.

”Nice Guy!”:On the dancefloor, I run into a guy on the dancefloor who seems to be having a great time. At a particular high-point of the music, we both start pumping our fists in the air and then make eye contact. From there he offers me his beer and we exchange some brief remarks on the music. I tell him I’m from Canada and he says he’s from Rostock, in the north of Germany. He’s clearly high as a kite on a 200km lead, as his face is making pronounced contortions that I would associate with some very strong, “mashy” ecstasy.

I go away and come back a few minutes later and he appears next to me again. He offers me more of his beer, and then we dance some more and share more of those wordless glances that both check to see if the other person is in the same affective place as you are, and also prompt the other person to somehow respond. The current title of my dissertation starts with “Can You Feel It, Too?”, and this is sort of the look and the encounter that I’m thinking of when I quote that phrase; these are glances that ask questions but also answer them: “Did you just hear that?” “Yes I did!” “Isn’t this amazing?” “It sure is!” “Are you feeling this right now?” “Totally!”

Anyway, the crowd is packed and we’re being squeezed, but suddenly he sees a pocket of space in the crowd and gestures for me to follow him and dance next to him. When I reach him, he smiles and puts an arm around my shoulders as I put an arm around his waist, and we dance like that for a while.

For the next few minutes, he’ll find another spot on the dancefloor that he deems somehow better, then pull me over to it, and then continue to exchange gestures of affection, including offering beer and cigarettes, asking how I’m feeling, making ‘small talk’ about where we’re both from, hugging me, draping his arm across my shoulders and clutching me to his chest (he’s much taller than me), and even occasionally trying to engage me in hip-bumping and ass-slapping (we weren’t very co-ordinated in that regard).

By the time we had migrated to the front of the crowd, he had introduced me to most of his other 5 friends, none of them by name but rather always, “This is my best friend!” Then he would tell them I was from Canada and then we’d have a short conversation about Canada over the din of the music. Invariably, they would immediately offer me their drinks or their cigarettes.

At several points during this encounter, as my new buddy and I would look over at each other at the same time during a particularly exciting moment in the music, he would yell in my ear, “You’re a nice guy! I like you very much!” Now, this was in his somewhat-rusty English, so I’m guessing that he meant this in a more platonic way, but regardless: he was expressing feelings of warmth and attachment to a guy that he just met half an hour ago.

Just as I was thinking of leaving to catch up with my friend at the brewery party, he leans into me and says, “If some guy…gives you…any problems, you tell me.” Charmed but also a bit disturbed by the implications of this gesture of protectiveness, I said, “Thanks, but I’m not the sort of person to have problems with guys in clubs.” He immediately answers, “Of course! You’re a nice guy. I don’t think you would ever hurt anybody. I like you.” And then a hug. It’s not necessarily true that I don’t have problems with other people on the dancefloor (see 2 Fridays ago in Paris LINK), but I took this to be a sort of compliment and thanked him. The topic of discussion was uncomfortably serious and violent for me, but he seemed to be wanting to articulate intimacy to me in an idiom of protectiveness that I just wasn’t used to. Most of my friends are jokingly referential when they say, “I got yo’ back.” They’re not about to beat up a stranger for crossing me.

Anyway, it was past 4h30 and it seemed like the right time to head over to the Kindl Brauerei party. I might’ve been tempted to let the party slide and go directly to Berghain (or sleep), but I was really determined to see this friend of mine. I told my new buddy that I would be “right back.” It was a lie, but it was simpler and smoother than explaining my itinerary for tonight, and then resisting as he tried to convince me to stay with him. It’s pretty common to have these moments of passing, glancing contact, so I figured that he wouldn’t be too distressed if I just disappeared.

So I headed out and made my way towards Ostbahnhof, only to remember that the S-Bahn doesn’t run between Ostbahnhof and Jannowitzbrücke at this hour. I walked to Jannowitzbrücke and realized that the southbound platform for the U8 is out over service for renovations, so I walked down to Heinrich-Heine Straße. There was a lot of walking involved.

5h30: Champagnerama @ Kindl Brauerei

On the way down on the U-8, a group of very drunk and rowdy guys (and one gal) get on at Kottbusser Tor, clutching large bottles of beer in their hands. They shout-sing some song loudly every few minutes, and otherwise engage in some loud and slurred conversation that I could barely make out. Standing near me is another young German, quietly watching the goings-on. Every few minutes, we’ll exchange glances and eyebrow-waggles and then go back to watching them nearly make fools of themselves and annoy everyone in the train car. At a moment when the other guys aren’t paying attention, he says (in English), “Sorry.” I shrug my shoulders and say, “Normal,” implying that this was par for the course on a Saturday night (this word has a slightly different meaning in German). He shakes his head, saying, “No, it’s never normal.”

I get off at Boddinstraße and try to surreptitiously follow some folks who look like party people, since I don’t know exactly where the brewery is. They lead me to their apartment instead. Yay! So much for that strategy. I ask some random guy walking down the street and thankfully he gives me directions.

As I’m approaching the Alte Kindl Brauerei, a guy coming in the other direction stops and tells me that it’s not worth trying to get in, the building’s already at capacity. Well, great. I wasn’t about to give up without laying eyes on the situation, but I thanked him for the warning.

When I got in front of the building, there was a small lineup of 30-40 people, but it was barely moving. There was something like a “one in, one out” policy in effect, but it was even slower, since they had to worry about people coming back into the party. The system at most clubs in Berlin is that once you’ve paid the entry, you have the right to return and skip the line as long as the club is open.

So I send a text message to my friend to see if she’s still coming and get in line. I had hoped that she might say, “Screw it! Let’s just all go to Berghain.” But instead, she just told me she’d be getting there an hour or two later. Dammit.

While in line, I made friends with two Irish boys standing next to me. One of them thought that I was American, and when I corrected him, he apologized profusely and said, “Well, now you can call us British and we can’t get mad.” Fair enough, although I don’t think there’s quite the same animosity between Canada and the US.

After a while, two kids coming out of the club offered to give their admission bracelets to the Irish guys, so that they could skip the line. They gave it a try, but the bouncer actually pulled on their bracelets to see if they had been removed before. When they easily came apart, they were sent back to the line.

I got some amusement while waiting in line by watching the Irish boys get increasingly incensed with the rampant queue-jumping going on. On both the British and Irish isles, there’s a great degree of respect for the etiquette of lining up, and violating it is often treated as a grave ethical breach. You can seriously get your ass kicked in the UK over jumping the lineup.

This just got more amusing when a really large group of Greek partygoers showed up and just walked up to where we were standing. They lamely struck up conversation with a few people standing in front of us, and then acted as if they belonged there. Apparently, one of the Irish boys used to date a Greek guy and the relationship ended very badly, and so he was suddenly projecting all of his resentment onto the hapless ringleader of these partygoers.

Of course, rather than yell and hurl insults, the Irish lads decide to be passive-aggressive. One of them introduces himself to the ringleader and asks, “So where are you guys from?” Then the other pipes in, “Do you come from a country where you don’t usually wait in lines? Because the line starts back there, not here. I understand that might be hard to grasp.” It had no effect, but it amused me.

Lots of pushing and crowding. The two Irish boys get in before me as the lineup/crowd converges. I’m getting squeezed in by a group of annoying Spaniards behind me.

The bouncers change shifts just as I’m at the front of the line. The new bouncer asks me if I’m alone and then asks me where I’ve been before this. I tell him Maria am Ostbahnhof, and he looks me up and down, and then lets me in. WTF? The previous bouncer hadn’t been refusing anybody at the door and then suddenly I get to the front of the line and he’s replaced by Mr. Door Policy. Anyway, I don’t know if saying “Maria am Ostbahnhof” rather than Berghain or Wateragte helped me or hindered me, but I got in.

Well, the location was definitely cool. I mean, it’s a dilapidated beer factory turned into a massive party complex. Almost the entire event takes place downstairs in a series of underground rooms. In most cases, the original fixtures of the rooms are left intact, including massive brass vats poking up through the floor, piping going every which way, tiled drains and so on. Nonetheless, they did include some nice touches of décor, including cylindrical lights hanging behind the DJ booth in one of the main rooms, and a sort of multi-colored tic-tac-toe board hanging behind the DJ in the other big room. The sound was pretty good in the lower two rooms, while the upper room seems to be more devoted to chill-out music or something like that. I’m pretty sure Jens Bond was spinning in the larger room, but I could be wrong.

Upstairs, the coat-check is full and so I have the dubious pleasure of spending the next few hours with my jacket on and my scarf still wrapped around me. Great. At least the drinks are relatively cheap.

While dancing, some guy asks me if I have any rolling papers. I say no, sorry. He asks for tobacco. I say no, sorry. Then he looks at me for a moment, and says “Ja, ja” sarcastically, as if I was clearly lying and then stalks off angrily. Lay off the speed, buddy.

I sit down on the ledge of what I must presume used to be some sort of drainage pit. I’m pretty sure that it’s nastily dirty, but I’m tired and I tell myself that jeans were made for these sorts of conditions. A moment later, a guy taps my shoulder and says, “What are you doing, sitting in all this crap?! Here, I have a bunch of those plastic bags you use to collect dog shit. Sit on one of them the way I am.” And he handed me one and pointed to how he had laid one out for himself. I smiled, thanked him, and sat back down.

He was a friendly chap, so we chatted for a bit. When he heard that I was from Canada, he suddenly got very enthusiastic. Apparently, he had once wanted to become a hockey player in the NHL, and his favourite team was Les Canadiens. I couldn’t follow everything he said, but he was certainly happy to have met a Canadian, it seemed.

At that moment, I get a text message from my friend. She’s here! And she wants to know where to meet. I tell her in the hallway between the two main rooms, say goodbye to the would-be hockey player and make my way over. A few minutes later, I’m reunited with my friend and she drags me over to where most of the rest of her friends are.

Her ex-boyfriend was there and clearly out of his gourd, because he greeted me as if we were long lost buddies, rather than just guys who happened to know the same two women. He was never this affectionate last summer, perhaps because of the tension between him, his ex-girlfriend and my former roommate, but voilà: he hugged me tightly, cupped my jaw in his hands, made lingering eye contact, and then promptly presented me with a bottle of poppers. Yech, but thanks, I suppose. One tentative sniff of that crap reminded me of why I hate that stuff.

Before I could talk to her any more, my friend disappeared and I couldn’t find her for an hour. Instead, I hung around with her ex-bf as we migrated from one room to another, dancing and drinking. Eventually, I texted her and asked her where she was and she said she was behind the “DJ pult” (DJ booth). Really? I ran into one of her other friends and we both wandered through both rooms, trying to find her. There was no ‘behind’ the DJ booth in the second room, and the first room had only a small backstage area that was clearly closed off. Once I saw her ex-bf wander out from behind the stage, though, I put two and two together. This chick is well-connected.

I eventually found her, distributing lines of speed to all of her friends. Yay! Sorta. I finally managed to chat with her, but not without the bouncer trying to bounce me out of the area. He wasn’t at all concerned that people were doing lines, but he didn’t want random strangers backstage. Once he saw that I was with her, he backed off but then started harassing her about leaving. Feh.

Once we were finally shooed out onto the dancefloor near the bar, I hung around with my friend for a while as she talked about some very difficult and complicated romantic conflicts she had had last summer. This exchange happened as we stood next to the bar near the front of the main room, surrounded by her friends who were all dancing and chatting happily. I was really glad to be able to talk to her and give her some support, but it all seemed really incongruous to the context. On the other hand, if there’s ever a place where you can talk about personal stuff and not be overheard / noticed, it’s at a loud, crowded club.

My friend and her party disappeared into another corner to do more lines of speed, and I eventually caught up with them. When I did, I told her that I would be gone for a short while to find my friends and convince them to come back to the brewery party with me. Again, I was lying to make a departure that would otherwise involve lots of cajoling and pressure.

This time, on my way out, I treat myself to a cab. I’ve had enough walking for a while, thank you.

9h30: Berghain

I got to Berghain at about 9h30 and there was (thankfully) no lineup to be seen. The bouncer let me in without so much as a blink, and I was upstairs and dancing in no time. Bob and Donna were already there, along with Foster and the German galpal of Janine. Janine herself wasn’t due to come by until 13h00 or so (she didn’t actually show up until 16h00 or 17h00, but she’s perennially late). Fantômette and her crew never showed up, though, despite my frequent text messages. At some point around noon, I realize that I’m the only person that hasn’t slept tonight. Everyone else I knew had gone home and taken a substantial nap before coming to Berghain. Meanwhile, I had been at that brewery party.

So as I got there, a DJ called I:Cube was still spinning. His set was OK, mostly minimal techno with very little house influences, but it tended to be a bit same-y. That is, the tracks all tended to run together and yet the set also lacked continuity. Nonetheless, I wouldn’t complain; if I had heard that set any place other than Panorama Bar, I would’ve been thrilled.

Prosumer and Steffi were listed to do a long back-to-back set from 13h00 to 20h00, but that was complicated a bit by the fact that Steffi appeared to be drunk and/or very high. She still managed to beatmatch occasionally and she was certainly able to manipulate the mixer to play with the levels, but in the end Prosumer did the lion’s share of the mixing. Their set started off a bit too mellow and heavy on the vocal-house, but by about 14h00 or so things started to get pretty good and for at least a couple of hours I was having a fantastic time. I appreciated that there was a bit of alternation between more housey minimal tracks and straight-ahead techno-minimal tracks. But also, I think I was impressed by skill of both Prosumer and Steffi to manipulate the EQ levels to create climaxes and breakdowns and to otherwise give shape to the set.

Meanwhile, down in the Berghain room since about 9h00, Monika Kruse was giving a marathon, 8-hour set. I would head down every once in a while to check it out, but I rarely stuck around for longer than 20 or 30 minutes. Her mixing was flawless, her demeanor was always very self-controlled and professional, and her selection was definitely appropriate for the Berghain room, but I find the typical sound of that room a bit too heavy-handed and pounding, and so I was having the same problem’s with Kruse’s set. Very well done, but just not as fun for me as the sound in Panorama Bar.

Nonetheless, Kruse gets major props from me for dropping that remix of Laurie Anderson’s “O Superman,” which came out relatively recently. It was remixed first by Booka Shade and M.A.N.D.Y., and then re-remixed by various other DJs on the release (on Get Physical Music). The remix I heard that night was the Reboot 20 Cubans remix, methinks. Anyway, it was great.

So by 20h00, nd_baumecker started his set up in Panorama Bar. Bob and Donna had just left, and Janine and her friend were about to leave as well. Nonetheless, I kept going for a little while longer to hear the first hour of his set (which was excellent but just a bit harder than I normally like) and then threw in the towel at 21h00. Considering that I had started my night with drinks at Fantômette’s place at 20h00 the previous day, I was feeling pretty proud of my marathon partying. I didn’t quite make it to the closing of Berghain (which can run as late as midnight Sunday), but I did pretty well for myself.

The ride back home on transit felt very long and just a bit painful (24 hours of dancing will do that to you), but it just made things feel all the better when I finally got home. I took a shower before even approaching the bed, and I also made myself a few eggs and a bit of tea. Essen ist wichtig! And so, at about 22h00 Sunday night, I went to bed at a “normal” hour, having not slept at all the night before.

vendredi, mars 06, 2009

Shopping, Won-Tons, Golden Gate, PanoramaBar

After a pretty crazy week, the most delicious luxury of today was sleeping in. Mmm, slumber-gasmic!

So Florian was actually planning to leave Berlin for Holland early Saturday morning, so he had a few errands to run today. As he dashed off to take care of that, I showered, changed, “read the Internet” (a phrase I’m borrowing from Florian) and caught up a bit on correspondence and blogging. At around 13h30 or 14h00, Florian called to say that he was done with his errands, and we arranged to meet at a café called Ciao di Berlino, at the corner of Wichertstraße and Greifhagener Straße. The food was pretty decent, involving standard “healthy” German soups and pesto-heavy Italian sandwiches. I had the “organic red beet soup,” which was tasty, but it also terrified me with its clothes-staining qualities.

The décor, however, was adorable. The main seating area had a silhouette of a green landscape running around the room at eye level, with little details like lakes with ships, bridges, and so on. On the far wall, around the doorway that led to the next seating area, was a massive print of a snowy mountain peak descending into grassy hills. All of the seats had pillows with silhouettes of forest animals silk-screened onto the corner. Anyway, it was cute.

Shopping!

*girlish squeal*

After lunch, we hit the nearby Asian market to buy the ingredients for Vietnamese summer rolls to take to a won-ton potluck party tonight. My knowledge of Asian cuisine can be pretty spotty, but one thing I’ve come to make with some skill are those delicious non-fried rice-paper rolls. Mmm.

From there I left Florian to return home and pack his bags, while I headed out for a bit of shopping. Well actually, we both stopped in a trashy dollar-store near the U-Bahn stop first, where we found these awesome felt coasters with silhouettes of teapots and apples and wine bottles. So cute! And only 0.65€.

My plan was to just do some window-shopping, but that didn’t last. The fashion in designer shops here is a lot more modern and brightly-coloured than what I find in Paris, and the prices are generally lower (although not cheap). Anyway, I apparently left my self-control at home. I think I also managed to rationalize the minor spending spree with the fact that I’ve barely done any shopping in Paris in these past 6 months or so.

I bought a pair of jeans at Hummel that were dark denim with bright violet contrast stitching. They were the display pair, so I managed to get a 10% discount. Yay!

In the store 2 doors down, I picked up this adorable sweater that had three stripes in a V-shape across the chest. The sweater itself was powder blue, and the stripes were violet, blue and turquoise. Very hott.

Finally, I stopped in this store called O.K. that sells odd and brightly-coloured items often made from recycled materials and from developing countries (i.e., coin purses woven from candy wrappers). I got a couple of gifts for people back home (no details! They might be reading) and then decided that I better head home before I do any more damage to my financial situation.

Dinner: Won-Ton Hoedown in Charlottenburg

After getting home and showing off my stuff to Florian (who was kind enough to my approving noises) I assembled the summer rolls and we got ready to head out for the won-ton party.

We headed over to the apartment of these friends of Florian, a couple that live in a MASSIVE apartment in Charlottenburg for 400€ / month. Seriously. They had this beautiful apartment with high ceilings, an office, a parlor and a bedroom, along with a massive bathroom and a similarly large kitchen. I swear, this thing was easily 1000 sq.ft (92m2) As is usual, all of my time in Berlin is spent in rabid jealously of people’s apartments. Sigh.

Anyway, the meal was great. We fried up the wontons right there at the table, gorged ourselves on all the other dishes that people had brought, and drank a lot of wine. There was some discussion of ceviche recipes, Paris, and what goes on in darkrooms at Berghain. I plead innocence to introducing the last topic, which was actually brought up by a straight guy (or, at least, heterosexually-partnered) who had a surprisingly intimate knowledge of the sleazier side of Berghain. Hooray for Berlin.

Things a got a bit blurrier as the meal went on (there was a fair bit of wine), but I do recall that at some point someone had the great idea of making wontons filled with Nutella and bananas. Then someone tried the same thing with nectarines and blue cheese. They were pretty damn good, I must say. Well worth a try at my place one of these days…

By 1h00 or so, almost everyone else had left and I was getting messages from my Frenchy crew (Fantômette and the rest) saying that they were done dinner and heading off to a club in their area. So I made my goodbyes and wandered my way back to the S-Bahn stop to head into Kreuzberg.

André Crom @ Golden Gate (club)

On the train over to the first club, I get a call from Fantô saying that they couldn’t find the club, so instead they were going to go to Golden Gate, which just happened to be near where my train was at the moment.

So I got off and headed over to the club, which is under the S-Bahn tracks near Jannowitzbrücke. It’s actually literally built in under the tracks, which is kind of neat; I imagine that it had been a storage area or something before. The club itself was sort of small, dark, almost entirely of brick and a bit grimy. Just like I like it. It was almost like someone’s apartment, with the first room (dancefloor) sort of the size of a salon, the second room (bar) the size of a bedroom, and then some bathrooms upstairs.

There was an outdoor area for smoking and chilling out, which involved a bunch of beat-up couches and armchairs with blankets, covered by a series of tents. It was nice out there, but a bit too cold. There were a number of DJs playing that night, but the one spinning while we were there was André Crom. Good, solid techno, although also not very exciting. Fantô pointed out that the tracks that he releases are very minimal and finely wrought, while what he was doing tonight was a heavy-handed pounding techno set.

The crowd was almost exclusively local Germans, which was cool as well. It was nice to discover a new location, after many weekends of visiting the same 2 or 3 clubs recently. Even this summer, I tended to go to a certain circuit of clubs, including especially Berghain/Panorama, Watergate, Club der Visionäre and Bar25.

By approx 4h00, Fantô and crew had had enough and they split. Although they were heading home to crash, I still had plans to meet my London-based Frenchy friends, Bob and Donna over at Panorama Bar. I hung around for a little while longer, and then got my jacket and headed off. Panorama Bar isn’t too far from Golden Gate, so I headed over on foot and stopped at a gas station on the way for a bag of chips to soak up some of the alcohol.

Get Perlonized night @ Panorama Bar

I got to Panorama Bar at around 5h or 5h30, so I apparently missed the Half Hawaii (the collaborative project of Sammy Dee and Bruno Pronsato) live set. I’m fine with that, since I heard a bit of them at mutek last year and wasn’t impressed.

There wasn’t much of a line at the door and I got in pretty quickly. The American bouncer, Mike, was checking bags and he gave me a full soul handshake, including that whole shoulder-to-shoulder half-hug thing. Yay! Nobody does soul shakes in Europe, so it sort of reminded me of home in a nostalgic way. Later that night, a French girl I had just met would gush at the fact that I did the bise ritual (air kisses on both cheeks) with her before leaving. “Je me sens chez moi!” (I feel at home!) she said, complaining that Germans never do the kissy-kissy thing (not true, in my experience, but they certainly do it less).

I found Bob & Donna and we spent some time catching up and chatting. Vincent Lemieux was spinning (apparently a Canuck) whose set involved some nice minimal house, but with some vocal-house tracks that I liked less. Later in the morning, around 8 or so, Sammy Dee got on the decks for a while and kicked out an excellent series of punchy, dry and yet bass-heavy tracks.

Sometime at around 8h00 or so, I had this massive wave of nausea and I had to sit in a corner and fan myself out of a cold sweat. I’m not one to feel nauseous for nothing, so I took it seriously and got off the dance floor. Bob was nice enough to come check on me, but there wasn’t much to do other than wait for it to pass. Once it passed, I was feeling much better, but tired and with a bit of a headache.

They had finished with the renovations of the bathrooms at Pano (mentioned briefly in my last visit), which were pretty neat. They had one big set of bathrooms with plenty of stalls and new, clean-looking tiles and metal toilets and so on (of course, it didn’t stay clean very long, but the design was pretty hygiene-oriented). They lowered the ceilings on the toilets (which had been two stories, like the rest of the club) and then put in a mezzanine above it with couches for sitting around. It was a really nice idea, although Bob was right to point out that it was a mistake to break through the wall into the dance floor and put a little balcony there. While it gave a great view over the crowd, it allowed the sound to spill into the next room, which made it harder to talk there. Also, on Saturday night, I would discover that the mezzanine allows drunk/high people to spray the crowd below with their drinks.

At some point near the smoking area, I make friends with another very friendly German dude (this is something of a pattern: I walk through the Berghain smoking area, some talkative German guy makes friends with me). He starts by asking me if I have any cigarettes, and then we spend the next few minutes chatting about where we’re from, how hard it is to learn a new language, and so on. At some point, two other guys that he doesn’t seem to know pass by and ask for a lighter. In return, one of the guys passes out some Menthos candies, which made me think of those absurd “Menthos, full of life!” commercials, and that made me chuckle. I bet they weren’t thinking of Berghain at 8am when they made those commercials. Anyway, they got talking and I wanted to go dance, so I said goodbye and disappeared.

Later that evening, Bob introduced me a German friend of his, who told me that he works in music. He’s a sound engineer, but he also makes music. When I asked what kind, he told me that, although he’s straight, he’s developed a gay rapper persona that raps about gay sex in clubs in German-inflected English. I would’ve thought he was joking, if he hadn’t started freestyling for me right there. That shit cracked me the fuck up. In response, all I could say was, “Geil” (sexy). I’ll have to ask Bob for his website, because his work needs to be exposed to the world.

At around 8h30 or so, I finally decided to throw in the towel and head home. On the way out, Mike gave me another soul shake, so I felt like a bouncer-knowing, club-getting-into badass. w00t!

I stopped at the kebab place near the Ostbahnhof station and forced myself to eat a kebab, thinking that a bit of food might settle my stomach, although I was already feeling better.

The train ride home was a bit complicated, mostly due to the fact that I thought I would catch the M1 tram from Hackescher Markt, which would bring me a few blocks closer to home than the U2. However, the northbound stop for the M1 at Hackescher Markt is in a rather non-obvious place, which required walking around the neighborhood for a bit and following the tram tracks. Anyway, I got home, peeled off my clothes, and got into bed.

Oh, by the way: I was breaking in my new jeans tonight and I totally forgot that dark-wash jeans have a lot of indigo dye in them when you first buy them. Every couple of hours, I had to wash the blue dye off my hands. Hah.

vendredi, février 27, 2009

The difference one asshole can make

Yes, as you might imagine, tonight doesn't end very well. Nothing catastrophic, mind you, just shitty.

Anyway, I started my day by making a short trip to my neighborhood market to get a few things for me, but also the fixings for chimichurri. A friend of mine is having a birthday party next Monday, and I had offered to make some Peruvian food for the event. There rest of the stuff I was going to prepare on Sunday, but I thought I could at least prepare the chimichurri early, since the stuff actually benefits from sitting and curing for a while.

Also, after more than a week of living on a strict fish-and-vegetables diet, I decided to treat myself to a tasty, tasty roast chicken. I managed to get one that had perfectly-roasted skin; when the skin is browned and just beginning to get crispy, it's like kryptonite to me. Anyway, since I hadn't eaten breakfast and last night's dinner had been pretty light, I fell on the chicken like a madman and pretty much picked its bones clean. Now, even though roasting chickens here in France tend to be smaller than the bionic creatures you find in the US, that was still a lot of poultry-flesh. I spent at least an hour afterwards, just staring at the wall and wondering what I had done to myself. I pretty much didn't eat anything else that day, except for some carrot sticks later that evening.

Anyway, the rest of the afternoon was pretty unexciting. I finished my manuscripts for the two entries I'm contributing to the 2nd edition of the Grove Dictionary of American Music, submitted them, and then did some work back-tagging my blog. That is, I went through some of the first posts I made to my blog and added the tags that I've developed since then. This is somewhat important for my project, because I have a few tags that correspond to particular chapters in my thesis (i.e., Touch, Solidarity, Affect), which I'm using as a marker so that I can come back later and cull some anecdotes to structure my chapters. The task was slowed down considerably by the fact that Blogger doesn't offer a convenient way to label and re-label more than one post at a time, but it was also much slowed by the fact that I couldn't resist reading these posts from almost 2 years ago. Good times, good times.

So, on to this evening's activities

Get On To Get Off: Heartthrob, Butane and Yakine @ Le Rex

Actually, I started my night at On Cherche Encore..., where Fantômette and Franck Valat were spinning for the evening. I spent maybe an hour hanging out with them, but I had to split shortly afterwards. I was on Yakine's guestlist for the event at Le Rex, and since he was spinning first in the evening, I needed to be there well before he finished his set.

I hopped on a vélib and made my way over by approx 1h00, and got through the line pretty quickly. I checked my coat and headed out onto the dancefloor, which was still pretty empty. As a friend of mine had pointed out last weekend, the first couple of hours at most clubs in Paris look markedly similar. Large groups of young guys that would normally have trouble getting into a club show up very early (when the bouncers are less picky) and buy bottle service (which also helps secure your entry). The result is that you have this odd landscape of empty-ish dancefloors, and tables filled with clots of similarly-dressed young men, nursing tiny doses of alcohol mixed with some juice. There's an air of anticipation/desperation that I normally would associate with the end of the night, really.

0h00-2h30: Yakine

Anyway, I ran into my friends S. and D., who were also there to see Yakine spin. The three of us hung out near the DJ booth, trying to make our support of Yakine as visible and physically present as possible. By about 2h00, other friends started to show up and the dancefloor was filling in. His set started off rather low-key, but by about 1h30 he had moved into higher-intensity tracks and he started getting into it. He's a relatively quiet guy, and so he can be a bit stone-faced on the decks. However, by the second half of his set, he was cracking a smile more often and looking like he was genuinely having fun. His track selection was solid and his transitions were always smooth; my only quibble with his technique was his tendency to cut the bass during the breakdown of a track, and then bring it back a few beats after the track itself had already kicked back in. You can hear it because the bass kick in the track usually has some upper-frequency element that passes through the low-cut filter and creates a sort of "echo" effect of the bass that would normally be there. So his manipulations of the bass kick was sometimes out of sync with the track itself, but otherwise the set was great.

2h30-4h00: Heartthrob live

Heartthrob's set was good, but I have to admit that I've heard better from him. The set started off pretty weak, but that's sort of to be expected; it's a live set, and in live sets the performer tends to start off with some broad gesture that falls flat 50% of the time. Nonetheless, he was pretty slow in getting off the ground. By about 30 minutes into the set, things picked up and got interesting, with slightly more complex bass patterns and punchier samples. He still has a fondness for sustained, echo-y, granular washes that I don't share, but I've made peace with that aspect of his aesthetics.

So, now to the asshole. I was dancing at the front of the room, in front of the live setup, against the metal stanchions they had installed around Heartthrob. By now, there was a crushing crowd all around, as clearly the entire techno-loving population of Paris had come out to adulate the scion of the Minus label. There was this guy dancing to the left of me, who was occasionally shoving his way into my space. I managed to hold my ground, but then a cute girl sidled up on the other side of him and complained that she didn't have enough room to dance. The prospect of possibly bedding her was clearly all the motivation he needed, and he barreled into me, pushing me into the person on the other side of me. I tried to push back, but the person on the other side was pushing back at the same time, so I ended up being forced behind both of them, and their shoulders closed in front of me. Annoyed and a bit bruised, I went back to dancing, but made a point of dancing right up close behind the asshole and occasionally co-ordinating my dancing so that I would "accidentally" collide with him pretty hard.

A few minutes later, I decided to go find my friends. My bag was hanging on the metal stanchion, right in front of the asshole, so I had to reach between him and the girl and start untying my bag. He seemed to think that I was trying to elbow my way in between him and the girl, and so he started pushing really hard on me, and I was holding onto my bag, which was tied to the stanchion, so the whole thing was threatening to tip over and the strap on my bag was probably going to break. After shoving back for a moment, I put a hand on his shoulder, squeezed as hard as I could, and started yelling in his ear that I was trying to get to my !@#$ing bag. He gave me a bit of space and said, "Well, get your bag, then." as if he hadn't just been doing his best to prevent that. I finally removed my bag, let loose a string of curses at him, and moved on.

However, the interaction had put me in a foul mood, and it wasn't being helped by all the other people colliding with me as I made my way across the dancefloor. I found my friends and spoke briefly with them, choosing not to tell them about the confrontation, since they at least seemed to be having a lot of fun, and I didn't want to bring them down. If I had really been loving the music, I probably would've been able to overcome my own foul mood and get back into the partying spirit, but Heartthrob wasn't inspiring me and the nastyness of the whole situation tainted the rest of the night for me. I guess it's not surprising how much of a difference one asshole can make to a whole night. Much in the same way that a bouncer/doorperson can make or break your night out (especially in Berlin), one sufficiently dickish jerk can suck the fun right out of your evening.

I stayed around until about 4h00, waiting patiently for my mood to improve, and then finally gave up and headed home.

The bike ride home was pleasant, at least.